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Johannes Bosisio
Souls from Objects from Souls from Objects from Souls

Left: Shapeshifter Series;Right: Voyeur, 2022. Johannes Bosisio and ZÉRUÌ, London
Pristine surfaces, metallic shapes, fabrics that glow in dim light - Bosisio’s practice explores the compatibility, or incompatibility of the organic and the inorganic, that of the artificial and technological. The anatomies of objects are dissected and exposed, shapeshifting and ever-changing, in simultaneous decay and renewal. At the same time, they are both treasured and fetishised - their smooth shapes, colours and proportions epitomising symmetry and ratio - and these creations of desire are thereby a step closer to [insert]. The gleaming warmth of cybernetic seduction indulges a sense of self, as we are dependable to the function of society, just as society is dependent on the machine - on the next big thing. We all fuck machines, most of us just don’t know it.
Selected Works

Johannes Bosisio
In the Flash
oil, glitter and glue on panel in steel frame
37 x 29.5 x 3 cm (14.6 x 11.6 x 1.2 in.)
2022

Johannes Bosisio
Micro Series
oil and resin on panel in steel frame
29.4 x 29.7 x 3 cm (11.6 x 11.7 x 1.2 in.)
2022

From Left to Right: OFS05 (object in fossilised State); Micro Series & Icon.

Side View: Voyeur

From left to right: Shapeshifter Series; OFS03 (Object in Fossilised State); Flânuer

From left to right: In The Flash; OFS04 (Object in Fossilised State); Micro Series
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